The Thee Sisters in story
A Timeless Story: The History of The Three Sisters
Nestled within the heart of Tallinn’s medieval Old Town, The Three Sisters Hotel occupies one of the city’s most treasured architectural landmarks. This enchanting trio of merchant houses, located at the intersection of Pikk and Tolli streets, dates back to the 14th century, with the current ensemble largely shaped in the 15th and redesigned in the 19th century. Today, the buildings stand as a rare and remarkable example of Tallinn’s unique Gothic architectural tradition.
The first known mention of buildings on this site dates to 1362, with ownership passing through influential families over the centuries—including the prominent Koch merchant dynasty in the 19th and 20th centuries. Carefully restored in 2003, the complex has since housed The Three Sisters Hotel, a luxury retreat that seamlessly blends medieval character with modern refinement.
Awarded by the Tallinn Department of Cultural Heritage for being the best-restored historic building in 2004, the hotel reveals centuries of craftsmanship. During renovation, original ceiling paintings and medieval features were uncovered—bringing to life the artistry of past eras.
Architectural Legacy
The Three Sisters—comprising one large corner house and two smaller adjacent buildings—were originally constructed as merchant dwellings. The two smaller houses retain typical medieval layouts, with upper floors once used for storing goods. Inside, guests can admire preserved 15th–16th century architectural details, including limestone beam ceilings, intricately carved stone window surrounds, original staircases, and even a rare medieval privy.
One of the most fascinating architectural elements is the grand corner house, believed to have been influenced by Henrich Swalberg, architect of Pirita Convent. Archival records show the house functioned as a residence as early as 1400, and its richly detailed facade with Gothic and Baroque elements has been preserved through the centuries.
In the 17th century, elaborate baroque renovations were commissioned by Jacob Höppener, a Lübeck merchant who settled in Tallinn. His coat of arms, alongside that of his wife Brigita Rode, is still visible on the beautifully carved oak door—an original from 1651.
From Private Residences to Unified Heritage
The Three Sisters—comprising one large corner house and two smaller adjacent buildings—were originally constructed as merchant dwellings. The two smaller houses retain typical medieval layouts, with upper floors once used for storing goods. Inside, guests can admire preserved 15th–16th century architectural details, including limestone beam ceilings, intricately carved stone window surrounds, original staircases, and even a rare medieval privy.
One of the most fascinating architectural elements is the grand corner house, believed to have been influenced by Henrich Swalberg, architect of Pirita Convent. Archival records show the house functioned as a residence as early as 1400, and its richly detailed facade with Gothic and Baroque elements has been preserved through the centuries.
In the 17th century, elaborate baroque renovations were commissioned by Jacob Höppener, a Lübeck merchant who settled in Tallinn. His coat of arms, alongside that of his wife Brigita Rode, is still visible on the beautifully carved oak door—an original from 1651.
A New Chapter for a Historic Gem
Following its temporary closure during the COVID-19 pandemic, The Three Sisters Hotel reopened its doors in 2024 under new ownership. This fresh chapter brings renewed energy, vision, and dedication to preserving and celebrating the legacy of this remarkable heritage site.
With a refined approach to hospitality and a deep respect for the building’s story, the new team is breathing new life into the historic gem—ensuring it remains a one-of-a-kind destination for discerning travelers for years to come.
Designated as Cultural Monument No. 3054, The Three Sisters is more than a hotel—it's a living chronicle of Tallinn’s past, where every stone and beam tells a story. Here, history is not just preserved—it is experienced.
